Playmakers 2015-2016 Season
One Slight Hitch
By Louis Black
Directed By Anysia Genre
Sept. 4 - 20
Auditions: July 13 & July 15 @ 7 p.m.
By Noel Coward
Directed By Melanie Hayno
Nov. 6 - 22
Let There Be Light (not part of the season ticket)
By Frank Levy and Bonnie Bess Wood
Directed by Anysia M. Genre
Dec. 11-13, 2015
And Then There Were None
By Agatha Christie
Directed By Anysia Genre
Feb. 26 - March 13
Finding The Absent Crescent
By Gina Pauratore
Directed By Ken Richard
May 8- 24
Book by Thomas Meehan
Music by Charles Strouse
Lyrics by Martin Charnin
July 8 - 24
Playmakers 2014-2015 Season
The Trip to Bountiful
By Horton Foote
Directed by Derek Thrush
September 5-21, 2014
Auditions: July 14 & 16, 7-9 p.m.
This is the poignant story of Mrs. Watts, an aging widow living with her son and daughter-in-law in a three-room flat in Houston, Texas. Fearing that her presence may be an imposition on others, and chafing under the watchful eye of her daughter-in-law, Mrs. Watts imagines that if she can get away and return to her old home in the town of Bountiful, she is sure to regain her strength, dignity and peace of mind. So she attempts to run away, and when she reaches a bus station on the last part of her short journey, she falls into the hands of a sheriff whom her son and daughter-in-law have put on her trail. The sheriff, a kindly fellow, allows her to complete the final stage of her journey, so she proceeds to Bountiful and makes a lonely pilgrimage to the scene of her old home. Only too soon she learns that the friends of her youth have all died or scattered, and her home is no longer the spacious mansion of her memories but a crumbling wreck. But she has the supreme satisfaction of plunging her hands into the strength-giving earth, and this leaves her with a sense of that strength and dignity that will give her the courage to survive. When her son and daughter-in-law appear on the scene to take her back to Houston, she consents to return quietly, secure in the knowledge that the remainder of her existence will be enriched as a result of her last contact with Bountiful.
The Haunting of Hill House
By F. Andrew Leslie, from the novel by Shirley Jackson
Directed by Melanie Hayno
October 31- November 16, 2014
Auditions: September 8 &10
Cut off from the outside world by its remote location and shunned by all who know its forbidding and sinister reputation, Hill House has remained empty and silent except for the daily visits of its grumbling caretaker, Mrs. Dudley. Its isolation is broken by the arrival of Dr. Montague, an investigator of supernatural phenomena who has been granted a short lease by the present owner. His mission is to delve into the morbid history of the house and to come to grips with the occult forces that have made it uninhabitable for many years. He is joined by three others, all unacquainted, but all having their particular reasons for accepting Dr. Montague's invitation to share his Hill House sojourn. Their visit begins with jovial informality, but their sensibilities are soon jolted by strange and eerie occurrences. As they struggle to disguise their mounting fears they are joined by Dr. Montague's wife and a friend, who have come to Hill House for purposes of their own. They too are absorbed by the supernatural, but their approach is via direct communication with the departed spirits—a type of psychic research which is regarded fearfully by Dr. Montague and which, as subsequent events bear out, brings on a crisis in which the evil forces of Hill House are goaded to a new and, for one of those present, fatal fury.
Christmas/Holiday Show: Christmas on the Bayou
December 10-14 – (not part of regular season)
Performances for the general public will be on Friday, Dec. 12 and Saturday, Dec. 13 at 8 p.m. and on Sunday, Dec. 14, at 2 p.m. General admission is $8.
By Joe Orton
Directed by Anysia Manthos Genre
March 6-22, 2015
Auditions: January 12 & 14, 7-9 p.m.
A masterpiece of black farce, Loot follows the fortunes of two young thieves. Dennis works for an undertaker. Hal's old Mum has just died. They rob the bank next door to the funeral parlour and find just the place to hide the loot. With the money hidden in Mum's coffin, there's no place for Mum whose body keeps re-appearing at the most inopportune times. When Inspector Truscott turns up, the already thickened plot goes topsy-turvy. Loot saw its premiere in London in 1966 and remains on of the most potent works from this master of the macabre.
The Odd Couple (Female Version)
By Neil Simon
Directed by Anne Pourciau
May 8-24, 2015
Audiitions: March 9 & March 10 @ 7 p.m.
Unger and Madison are at it again! Florence Unger and Olive Madison, that is, in Neil Simon's hilarious contemporary comic classic: the female version of The Odd Couple. Instead of the poker party that begins the original version, Ms. Madison has invited the girls over for an evening of Trivial Pursuit. The Pidgeon sisters have been replaced by the two Constanzuela brothers. But the hilarity remains the same.
9 to 5: The Musical
Music and Lyrics by Dolly Parton
Book by Patricia Resnick
Directed by Justin Lapeyrouse
July 10-26, 2015
Auditions: April 11 &@ 2-4 p.m. & April 12
@ 2-4 p.m.
Based on the 1980 hit movie Nine to Five. Pushed to the boiling point by their boss, three female co-workers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call their boss. They conspire to take control of their company and learn there's nothing they can't do -- even in a man's world. Set in the late 1970s, 9 TO 5: THE MUSICAL is a hilarious story of friendship and revenge in the Rolodex era. Outrageous, thought-provoking, and even a little romantic, 9 TO 5: THE MUSICAL is about teaming up and taking care of business.
Playmakers 2013-2014 Season
The 25th Annual Putnam County Spelling Bee
Music and Lyrics by William Finn, Book by Rachel Sheinkin,
Conceived by Rebecca Feldman, Additional Material by Jay Reiss.
Directed by Cameron Tyler
September 6-22, 2013
Auditions: Monday, July 15, 5-9 p.m.
Callbacks: Tuesday, July 16, 6-9 p.m.
Six young people in the throes of puberty, overseen by grown-ups who barely managed to escape childhood themselves, learn that winning isn't everything and that losing doesn't necessarily make you a loser. This is a hilarious tale of overachievers’ angst chronicling the experience of six adolescent outsiders vying for the spelling championship of a lifetime. The show’s Tony Award-winning creative team has created the unlikeliest of hit musicals about the unlikeliest of heroes: a quirky yet charming cast of outsiders for whom a spelling bee is the one place where they can stand out and fit in at the same time. (Read more on MTI)
By Ira Levin
Directed by Melanie Hayno
November 1-17, 2013
Auditions: Sept. 9-11
This chilling mystery thriller by the author of Rosemary's Baby explores the thin line between fantasy and reality, madness and murder. Students Susan and Larry find themselves as guests enticed to the Brabissant mansion by its dissolute caretakers, the lonely Mackeys. Struck by Susan’s strong resemblance to Veronica Brabissant, long-dead daughter of the family for whom they work, the older couple gradually induce her to impersonate Veronica briefly to solace the only living Brabissant, her addled sister who believes Veronica alive. Once dressed in Veronica's clothes, Susan finds herself locked in the role and locked in Veronica's room. Or is she Veronica, in 1935, pretending to be an imaginary Susan?
The Best Christmas Pageant Ever* *(not part of season ticket)
By Barbara Robinson
Directed by Jason Leader
December 13-15, 2013
Auditions: Friday October 4, 2013 – 5:30 p.m. and
Saturday October 5, 2013 – 2:00 p.m.
The Herdmans are the worst kids in the history of the world. They lie, steal, smoke cigars, swear, and hit little kids. So no one is prepared when this outlaw family invades church one Sunday and decides to take over the annual Christmas pageant. None of the Herdmans has ever heard the Christmas story before. Their interpretation of the tale—the Wise Men are a bunch of dirty spies and Herod needs a good beating—has a lot of people up in arms. But it will make this year's pageant the most unusual anyone has seen and, just possibly, the best one ever.
I Hate Hamlet
By Paul Rudnick
Directed by Kay Files
March 14-30, 2014
A young and successful television actor relocates to New York, where he rents a marvelous, gothic apartment. With his television career in limbo, the actor is offered the opportunity to play Hamlet onstage, but there's one problem: He hates Hamlet. His dilemma deepens with the entrance of John Barrymore's ghost, who arrives intoxicated and in full costume to the apartment that once was his. The contrast between the two actors, the towering, dissipated Barrymore whose Hamlet was the greatest of his time, and Andrew Rally, hot young television star, leads to a wildly funny duel over women, art, success, duty, television, and yes, the apartment.
By John Cariani
Directed by Adolfo Rodriguez
May 9-25, 2014
Auditions: March 16, 5-7 p.m. and March 17, 7-9 p.m.
On a cold, clear, moonless night in the middle of winter, all is not quite what it seems in the remote, mythical town of Almost, Maine. As the northern lights hover in the star-filled sky above, Almost's residents find themselves falling in and out of love in unexpected and often hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend—almost—in this delightful midwinter night's dream.
The King and I
Music by Richard Rodgers
Book and Lyrics by Oscar Hammerstein.
Directed by Joel Rainey.
July 11-27, 2014
Auditions: April 21 and 22 (and May 11 and 12, if needed)
It is 1862 in Siam when English widow AnnaLeonowens and her young son arrive at the royal palace in Bangkok, having been summoned by the King to serve as a tutor to him many children and wives. The King is largely considered to be a barbarian by those in the west, and he seeks Anna’s assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and, eventually, respect one another in this unique love story.
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